We were somewhere around Barstow, at the edge of the desert, when the doses began to take hold. So begins Raoul Duke and Dr. Gonzos do drugs-filled journey in Fear and Loathing in Las Vegas The film, express by Terry Gilliam and edited by Lesley Walker, is a key hour long drug trip broad of hallucinations and scratchy craziness. Through the creative enjoyment of sound, specifically sound effects, verboten of sync talks, the mixing of the sound, and music, the filmmakers make the movie exciting and the drug trips au thereforetic. Throughout the movie, the main character, Raoul Duke, mixes his intercourse with narration. This blending of dialogue and narration has a couple uses. First, it conveys Dukes valet de chambrey insightful and improper thoughts to the peach. More importantly, the dialogue smoothes transitions between the present tense, and his flash backs. As Duke is explaining the reservoir of his grant to a confused hitchhiker, he flashes back. The seq uence is brought back to the present as he tells the hitchhiker in narration that his assignment is, ...A gross physical court to the possibilities of life in this country--but lone(prenominal) for those with true grit. The film then cuts back to Duke in the car, relating to the hitchhiker, And we atomic number 18 chock full of that man! Another technique that the filmmakers use to further the viewers feeling that they, along with the characters on screen, be under the influence of drugs is to manipulate the levels of distinct parts of the sound. The filmmakers reach out this effect by changing the levels at which particular conversations are played. Duke and Dr. Gonzo, after checking into the Mint Hotel, go to the blockade for a a couple of(prenominal) drinks. Dukes acid trip takes hold and he comments that he cant concentrate. The viewer also feels this difficulty to... If you want to express a full essay, order it on our websit e: Orde! rEssay.net
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