Shakespe bes tragedy Othello has been brought to the stage hundreds, thousands of times with many different interpretations and readings due(p) to its long history of literary debate and analysis. Its thematic concerns atomic number 18 larger-than-life and open to interpretation: they range from tragedy, love, power, jealousy, trust, come in and race, and the actions of its characters oftentimes kindle controversy and harsh criticism, from Othellos fatal flaw of envy, to Desdemonas short persistency and Iagos sinister and deadly plotting. Modern audiences, too, have certain(a) expectations and ideas about the play, and it is vital, when producing a play like Othello to take these expectations into consideration. For these reasons, I am proposing both potential readings, or interpretations of the play, a libber reading and a reading based on the themes of class and power. FEMINIST indication A feminist reading would give voice to the plays triple young-bearing(prenomi nal) characters: Desdemona, Emilia and Bianca (the plays only female survivor), provoking sympathy at heart the audience for them and portraying them as the true victims of the avoidable tragedy. A feminist reading stems from the fact that in Shakespeares times, women, whether married or not, fell roughly into two categories: that of a fair, innocent and virgin, or a cuckolding whore.
A feminist reading alike recognises that it is the mens room deplorable attitudes in regard to women and gender that in part caused the tragedy, for instance, Othellos response to Emilia insistence that Desdemona is honest, She says enough; yet shes a simple bawd/That cannot say as much ( snatch 4 Sc 2) . The three focus scenes here are Act 1 opi! nion 3, Act 4 Scene 3 and Act 5 Scene 2. Attention essential also be paid to Bianca, who plays an unknowing role in Othellos jealousy. She receives Desdemonas hanky from Cassio and gives it back... If you want to get a full essay, order it on our website: OrderEssay.net
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